Nearly a year ago I accepted the invitation from Linda and Claudia
At the time I knew if I didn’t say yes right away I would have said no (Thank you but no thank you)
I gave them a title of some small paintings I was focused at the time
STAY AWAY
TOO PERSONAL
If I were to title the show in the last few months it would have been
UGLY ART FOR UGLY TIMES
Sorta about aesthetics but we all know what it’s really saying (HELP!)
(why just the other day someone asked me if they should get rid of one my pieces they own because its too offensive or not offensive enough—no doubt—never offensive enough)
So back to the show
I have made some paintings and mugs that are Ugly Art for Ugly times
(don’t remind me I am a devoted Robert Venturian and ugly and ordinary is in my blood but this is different)
But this too— I am never offensive enough
Back to the show
I will also include some paintings from the early 2000’s—
My clipper ship paintings that I originally made for a show at the Jewish Museum in Philadelphia with the idea of “Assimilation” in mind (I hope it still comes across)
(WASPY Clipper ships with an inescapable Jewish quality)
I will also include some Camp ( I still will always be candyass)
Joan Collins Has a headache
Maybe some ‘smarty pants’ word collages
Some silhouette paintings
Poodles, George Washington
I’ve always had enough money without having enough money
Vote for the Old Jew
(this was made in 2015 and thankfully Bernie is still Bernie)
Speaking of
I considered myself patriotic for most of my life
Now it’s difficult to keep the faith
Around 2016 I started making
RESPECT FOR THE UNITED STATES CONSTITUTION IS A TURN ON
I haven’t made new ones because it feel too precarious but I will include some
And of course because it’s always a room in a museum I can’t resist
There will be a gift shop
to buy
Mugs
Old catalogues,
Belts
Some prints
Some 2025 change purses
Some other stuff
Maybe large mud flaps
(yes mud flaps why not)
CARY—YOU ARE ALL OVER THE PLACE
YES WELL I HAVE BEEN IN MY MATURE PERIOD SINCE THE late 80s
Oh (that reminds me I feel very useless and decrepit and old)
But I roll with the punches


Cary Leibowitz (b. 1963, New York, NY) rose to fame in the 1990s under the moniker “Candy Ass.” Leibowitz makes bold, self-effacing artworks that comment on the contemporary art market, kitsch, Jewish identity, and queerness. Though he embraces a range of styles, his practice—which spans painting, photography, sculpture, ceramics, and other pursuits—almost always features text. His childish scrawl is by turns confessional, irreverent, satirical, and poignant. Leibowitz lambastes the politics of the art world and his own neuroses, making pieces that nonetheless connect with anyone who’s ever felt like an outsider. He has exhibited in New York, Stockholm, Berlin, London, Paris, and Los Angeles, among other cities. His work belongs in the collections of the Hirshhorn Museum and Sculpture Garden, the Jewish Museum, and the Peter and Eileen Norton Collection.

